A Pattern Language: Towns, Buildings, Construction

The format of the book is effective in that it allows one to follow the connections between various design rules/patterns that might otherwise not be obvious. The use of these "links" within the book could have been a source of inspiration for web designers. This book will appeal just as much to the lay person as it does to the legions of architectural professionals who use it as a guide on a frequent basis.

Alexander and his co-authors present us with over two hundred (roughly 250) "patterns" that they believe must be present in order for an environment to be pleasing, comfortable, or in their words, "alive." The patterns start at the most general level -- the first pattern, "Independent Regions," describes the ideal political entity, while another of my favorite patterns, "Mosaic of Subcultures," described the proper distribution of different groups within a city. The patterns gradually become more specific -- youll read arguments about how universities should relate to the community, the proper placement of parks, the role of cafes in a citys life. If you wonder about the best design for a home, the authors will describe everything from how roofs and walls should be built, down to how light should fall within the home, where your windows should be placed, and even the most pleasant variety of chairs in the home. An underlying theme of all the patterns is that architecture, at its best, can be used to foster meaningful human interaction, and the authors urge us to be aware of how the houses we build can help us balance needs for intimacy and privacy.

They admit that they are uncertain about some of the patterns -- they indicate their degree of certainty using a code of asterisks placed before the pattern. For each pattern, the authors summarize the pattern in a brief statement printed in boldface, and then describe it at length, drawing upon a variety of sources to give us a full sense of what they mean: these "supporting sources" include an excerpt from a Samuel Beckett novel, papers in scholarly journals, newspaper clippings, etc. Most patterns are accompanied by a photograph (many of them beautiful and fascinating in their own right) and all are illustrated by small, casual hand-drawings. Taken together, "A Pattern Language" is an extraordinarily rich text, visually and conceptually.

As I said in the header of this review, "A Pattern Language" has changed the way I look at buildings and neighborhoods -- I feel like this book has made me attuned to what works, and what doesnt work, in the human environment. Im constantly realizing things about buildings and streets that this book helped me see -- things that make people feel at home, or feel "alive," in their surroundings, or conversely, things that make people uncomfortable. And the book makes me think differently about life because it showed me how our well-being depends so much upon the way our buildings fit, or dont fit, us as UNIQUE INDIVIDUALS.

Alexander and his colleagues are successful because they take an empirical approach to architecture. Instead of beginning with abstract geometries, they go out into the world and study buildings and social spaces that do in fact work well. From these observations they generalize a set of "patterns" -- common structural and spatial elements -- that support living communities. These pattern elements range in scale from city-wide features to the placement of furniture in rooms.

I am an advocate of decentralized residential colleges within large universities as a way to improve the quality of campus life. I was pleased to find most of the specific structures that I have been trying to promote within universities included among Alexanders patterns, and to find many of them refined and improved upon. For example, the patterns "Zen View," "Activity Pockets," "Sleeping in Public," "Child Caves," "Pools of Light," and "Half-private Office" are all ones I have used in trying to establish strong educational communities. Indeed, the idea of a residential college itself corresponds to the pattern "Identifiable Neighborhood" with its limit of 400-500 people. And every university that built high-rise dormitories during the period of architectural insanity that was the 1960s should study and act upon, preferably with a wrecking ball, the implications of the pattern "Four-story Limit." ("There is abundant evidence to show that high buildings make people crazy.")

Like many great books, A Pattern Language a bit idiosyncratic. But it is such a rich mine of ideas that you shouldnt let, for example, the occasionally illegible figures bother you needlessly. For a book this influential, however, and one that has already gone through more than twenty printings, the publisher (Oxford University Press) really ought to invest in the preparation of an index.

Buy this book and turn to it often, and compare the ideals that it presents with the real world that less enlightened people have built around you.